Giotto’s paintings on the contrary, have not only as much power of appealing to the tactile imagination as is possessed by the objects represented human figures in particular but actually the necessary result
At the risk of seeming to wander off into the boundless domain of æsthetics, we must stop at this point for a moment to make sure that we are of one mind regarding the meaning of the phrase
We whose current knowledge of anatomy is greater, who expect more articulation and suppleness in the human figure, who, in short, see much less naïvely now than Giotto’s contemporaries
It follows that the essential in the art of painting as distinguished from the art of colouring
I beg the reader to observe to stimulate our consciousness of tactile values
Picture's have power as the object represented to our tactile imagination.
Well it was the power to stimulate tactile consciousness of essential
His everlasting claim to greatness make him a highest æsthetic
