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What's the point at ordinary pleasures into specific pleasures derived from each one. Our judgment about the merits of any given work of art depends to a large extent upon our answer to this question.

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Those who have not yet pleasures of the art of painting from the pleasures they derive from the art of literature, will be likely to fall into the error of judging the picture by its dramatic presentation

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Others who seek what is usually sought in music, the communication of a pleasurable state of emotion, will prefer pictures which suggest pleasant associations, nice people, refined amusements

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It follows that the essential in the art of painting as distinguished from the art of colouring

  • Reader observe to stimulate our consciousness of tactile values

  • Picture's have power to represented our tactile imagination.

  • Well the power to stimulate tactile consciousness of essential

  • Everlasting claim to greatness make him a highest æsthetic

  • Fermentum nunc. Etiam pharetra, erat sed

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Bryan Harvey

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Grace Cox

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Justin Woods

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Timothy Day

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Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini

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Giotto’s paintings on the contrary, have not only as much power of appealing to the tactile imagination as is possessed by the objects represented human figures in particular but actually more, with the necessary result

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We whose current knowledge of anatomy is greater, who expect more articulation and suppleness in the human figure, who, in short, see much less naïvely now than Giotto’s contemporaries

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At the risk of seeming to wander off into the boundless domain of æsthetics, we must stop at this point for a moment to make sure that we are of one mind regarding the meaning of the phrase

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