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As these were the men who for a whole generation after Masaccio’s death remained their craft, forming the taste of public, and habits and aspirations to their pupils

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Thus in his battle-pieces, instead of adequate action of any sort, we get the feeling of witnessing a show of stuffed figures whose mechanical movements

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Noah’s arks, are used by him with scarcely an attempt at disguise, to serve his scheme of mathematically converging lines. In his zeal he forgot loved his horses

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Accordingly he composed pictures in which he contrived to get as many lines as possible leading the eye inward. Prostrate horses, dead or dying cavaliers, broken lances, ploughed fields

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Painting between Giotto and Masaccio existed in vain—on the contrary, considerable progress was made in the direction of landscape, perspective and facial expression is true that

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Furthermore, the stimulation of our tactile imagination awakens our consciousness of the importance of the tactile sense in our physical and mental functioning

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The proportions of this small book forbid me 12 to develop further a theme, the adequate treatment of which would require

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Let us now turn back to Giotto fulfils the first condition of painting as an art, which condition, as we agreed, is somehow to stimulate

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We shall understand this without difficulty if we cover with the same glance two pictures of nearly the same subject that hang side by side

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Painting between Giotto and Masaccio existed in vain—on the contrary, considerable progress was made in the direction of landscape, perspective He scarcely knew where the difference lay, but felt that light and atmosphere play an entirely different part in each, and that in landscape these have at least as much importance as tactile values. A vision of plein air, vague I must grant, seems to have hovered before him, and, feeling his powerlessness to cope with it in full effects of light such as he attempted in his earlier pictures, he deliberately chose the twilight hour, when, in Tuscany, on fine days, the trees stand out almost black against a sky of light opalescent grey

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