In this composition, the composer strived for a similar experience of encountering an (musical) object. This quest led to a research-oriented approach towards the musical material 鈥?an approach in which the chosen musical material is employed as a singular object investigated several times throughout the time-continuum of the piece.

In other words, the musical material is regarded as a prism viewed from different angles and under different lightings. Hence, the musical material is not used as a departure point that would 鈥榣ead somewhere鈥? an entity that needs to be 鈥榙eveloped鈥? 鈥榩rocessed鈥?and eventually 鈥榯ransformed鈥?into something else.